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Empress Jitō (持統天皇 Jitō-tennō, 645 – 13 January 703) was the 41st monarch of Japan, according to the traditional order of succession. Jitō's reign spanned the years from 686 through 697.<br/><br/> In the history of Japan, Jitō was the third of eight women to take on the role of empress regnant. The two female monarchs before Jitō were (1) Suiko and (2) Kōgyoku/Saimei. The five women sovereigns reigning after Jitō were (3) Gemmei, (4) Genshō, (5) Kōken/Shōtoku, (6) Meishō, and (7) Go-Sakuramachi.<br/><br/> Jitō took responsibility for court administration after the death of her husband, Emperor Temmu, who was also her uncle. She acceded to the throne in 687 in order to ensure the eventual succession of her son, Kusakabe-shinnō. Throughout this period, Empress Jitō ruled from the Fujiwara Palace in Yamato.<br/><br/> Prince Kusabake was named as crown prince to succeed Jitō, but he died at a young age. Kusabake's son, Karu-no-o, was then named as Jitō's successor. He eventually would become known as Emperor Mommu.<br/><br/> In 697, Jitō abdicated in Mommu's favor; and as a retired sovereign, she took the post-reign title daijō-tennō. After this, her imperial successors who retired took the same title after abdication. The actual site of Jitō's grave is known. This empress is traditionally venerated at a memorial Shinto shrine (misasagi) at Nara. The Imperial Household Agency designates this location as Jitō's mausoleum. It is formally named Ochi-no-Okanoe no misasagi.
Emperor Tenji (天智天皇 Tenji-tennō, 626 – January 7, 672), also known as Emperor Tenchi, was the 38th emperor of Japan, according to the traditional order of succession.<br/><br/> As prince, Naka no Ōe played a crucial role in ending the near-total control the Soga clan had over the imperial family. In 644, seeing the Soga continue to gain power, he conspired with Nakatomi no Kamatari and Soga no Kurayamada no Ishikawa no Maro to assassinate Soga no Iruka in what has come to be known as the Isshi Incident. Although the assassination did not go exactly as planned, Iruka was killed, and his father and predecessor, Soga no Emishi, committed suicide soon after.<br/><br/> Following the Isshi Incident, Iruka's adherents dispersed largely without a fight, and Naka no Ōe was named heir apparent. He also married the daughter of his ally Soga no Kurayamada, thus ensuring that a significant portion of the Soga clan's power was on his side.
Empress Jitō (持統天皇 Jitō-tennō, 645 – 13 January 703) was the 41st monarch of Japan, according to the traditional order of succession. Jitō's reign spanned the years from 686 through 697.<br/><br/> In the history of Japan, Jitō was the third of eight women to take on the role of empress regnant. The two female monarchs before Jitō were (1) Suiko and (2) Kōgyoku/Saimei. The five women sovereigns reigning after Jitō were (3) Gemmei, (4) Genshō, (5) Kōken/Shōtoku, (6) Meishō, and (7) Go-Sakuramachi.<br/><br/> Jitō took responsibility for court administration after the death of her husband, Emperor Temmu, who was also her uncle. She acceded to the throne in 687 in order to ensure the eventual succession of her son, Kusakabe-shinnō. Throughout this period, Empress Jitō ruled from the Fujiwara Palace in Yamato.<br/><br/> Prince Kusabake was named as crown prince to succeed Jitō, but he died at a young age. Kusabake's son, Karu-no-o, was then named as Jitō's successor. He eventually would become known as Emperor Mommu.<br/><br/> In 697, Jitō abdicated in Mommu's favor; and as a retired sovereign, she took the post-reign title daijō-tennō. After this, her imperial successors who retired took the same title after abdication. The actual site of Jitō's grave is known. This empress is traditionally venerated at a memorial Shinto shrine (misasagi) at Nara. The Imperial Household Agency designates this location as Jitō's mausoleum. It is formally named Ochi-no-Okanoe no misasagi.
Emperor Tenji (天智天皇 Tenji-tennō, 626 – January 7, 672), also known as Emperor Tenchi, was the 38th emperor of Japan, according to the traditional order of succession.<br/><br/> As prince, Naka no Ōe played a crucial role in ending the near-total control the Soga clan had over the imperial family. In 644, seeing the Soga continue to gain power, he conspired with Nakatomi no Kamatari and Soga no Kurayamada no Ishikawa no Maro to assassinate Soga no Iruka in what has come to be known as the Isshi Incident. Although the assassination did not go exactly as planned, Iruka was killed, and his father and predecessor, Soga no Emishi, committed suicide soon after.<br/><br/> Following the Isshi Incident, Iruka's adherents dispersed largely without a fight, and Naka no Ōe was named heir apparent. He also married the daughter of his ally Soga no Kurayamada, thus ensuring that a significant portion of the Soga clan's power was on his side.
The revenge of the Forty-seven Ronin (四十七士 Shi-jū-shichi-shi), also known as the Forty-seven Samurai, the Akō vendetta, or the Genroku Akō incident (元禄赤穂事件 Genroku akō jiken) took place in Japan at the start of the 18th century. One noted Japanese scholar described the tale as the country's 'national legend'. It recounts the most famous case involving the samurai code of honor, bushidō.<br/><br/> The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) Asano Naganori was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for two years to kill Kira.<br/><br/> In turn, the ronin were themselves ordered to commit seppuku for committing the crime of murder. With much embellishment, this true story was popularized in Japanese culture as emblematic of the loyalty, sacrifice, persistence, and honor that all good people should preserve in their daily lives. The popularity of the almost mythical tale was only enhanced by rapid modernization during the Meiji era of Japanese history, when it is suggested many people in Japan longed for a return to their cultural roots.<br/><br/> Fictionalized accounts of these events are known as Chūshingura. The story was popularized in numerous plays including bunraku and kabuki. Because of the censorship laws of the shogunate in the Genroku era, which forbade portrayal of current events, the names of the ronin were changed.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Born Satō Norikiyo (佐藤 義清) in Kyoto to a noble family, Saigyo lived during the traumatic transition of power between the old court nobles and the new samurai warriors. After the start of the Age of Mappō (1052), Buddhism was considered to be in decline and no longer as effective a means of salvation.<br/><br/> These cultural shifts during his lifetime led to a sense of melancholy in his poetry. As a youth, he worked as a guard to retired Emperor Toba, but in 1140 at age 22, for reasons now unknown, he quit worldly life to become a monk, taking the religious name En'i (円位). He later took the pen name, 'Saigyō' meaning Western Journey, a reference to Amida Buddha and the Western paradise. He lived alone for long periods in his life in Saga, Mt Koya, Mt Yoshino, Ise, and many other places, but he is more known for the many long, poetic journeys he took to Northern Honshū that would later inspire Bashō in his Narrow Road to the Interior.<br/><br/> He was a good friend of Fujiwara no Teika. Some main collections of Saigyō's work are in the Sankashū, Shin Kokin Wakashū, and Shika Wakashū. He died in Hirokawa Temple in Kawachi Province (present-day Osaka Prefecture) at age 72.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Emperor Kōkō (光孝天皇 Kōkō-tennō, 830 – August 26, 887) was the 58th emperor of Japan, according to the traditional order of succession. Kōkō reigned from 884 to 887.<br/><br/> Before his ascension to the Chrysanthemum Throne, his personal name was Tokiyatsu (時康親王) or Komatsu-tei. He would later be identified sometimes as 'the Emperor of Komatsu'. This resulted in the later Emperor Go-Komatsu adopting this name (go- meaning 'later', so 'Later Emperor Komatsu' or 'Emperor Komatsu II').<br/><br/> Tokiyatsu Shinnō was the third son of Emperor Nimmyō. His mother was Fujiwara no Sawako. Kōkō had four Imperial consorts and 41 Imperial sons and daughters.
A ninja (忍者) or shinobi (忍び) was a covert agent or mercenary in feudal Japan who specialized in unorthodox warfare. The functions of the ninja included espionage, sabotage, infiltration, and assassination, and open combat in certain situations.<br/><br/> Their covert methods of waging war contrasted the ninja with the samurai, who observed strict rules about honor and combat. The shinobi proper, a specially trained group of spies and mercenaries, appeared in the Sengoku or 'warring states' period, in the 15th century, but antecedents may have existed in the 14th century, and possibly even in the 12th century (Heian or early Kamakura era).
Katsukawa Shunshō (勝川 春章, 1726 - January 19, 1793) was a Japanese painter and printmaker in the ukiyo-e style, and the leading artist of the Katsukawa school. Shunshō studied under Miyagawa Shunsui, son and student of Miyagawa Chōshun, both equally famous and talented ukiyo-e artists. Shunshō is most well known for introducing a new form of yakusha-e, prints depicting Kabuki actors. However, his bijin-ga (images of beautiful women) paintings, while less famous, are said by some scholars to be 'the best in the second half of the [18th] century'.<br/><br/> Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began his own style, which would later be dubbed the Katsukawa school. Among his students were the famous ukiyo-e artists Shunchō, Shun'ei, and Hokusai.
A member of the Thirty-six Medieval Poetry Immortals, Izumi Shikibu served at the court of Empress Shoshi (988–1074).<br/><br/> She is best known for the Izumi Shikibu Collection (和泉式部集 Izumi Shikibu-shū) and the Imperial anthologies. Her life of love and passion earned her the nickname of 'The Floating Lady' from Michinaga. Her poetry is characterized by passion and sentimental appeal. Her style was the direct opposite of that of Akazome Emon, even though both served in the same court and were close friends.<br/><br/> At the court she also nursed a growing rivalry with Murasaki Shikibu, who had a similar poetic style, though this rivalry pales in comparison with Murasaki Shikibu's spirited competition with Sei Shōnagon. Izumi Shikibu's emotional poetry won her the praise of many at the court, including Fujiwara no Kinto.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Katsukawa Shunshō (勝川 春章, 1726 - January 19, 1792) was a Japanese painter and printmaker in the ukiyo-e style, and the leading artist of the Katsukawa school. Shunshō studied under Miyagawa Shunsui, son and student of Miyagawa Chōshun, both equally famous and talented ukiyo-e artists. Shunshō is most well known for introducing a new form of yakusha-e, prints depicting Kabuki actors. However, his bijinga (images of beautiful women) paintings, while less famous, are said by some scholars to be "the best in the second half of the [18th] century".